{"id":50,"date":"2012-11-22T07:08:37","date_gmt":"2012-11-22T07:08:37","guid":{"rendered":"http:\/\/www.lostremnants.com\/?page_id=50"},"modified":"2012-11-22T18:16:51","modified_gmt":"2012-11-22T18:16:51","slug":"about","status":"publish","type":"page","link":"https:\/\/www.lostremnants.com\/?page_id=50","title":{"rendered":"About"},"content":{"rendered":"<p>The graphic novel is an oft-maligned literary art form, a bastard son of prose and drawing. Some graphic novels have shed this stigma and risen to noteworthiness while tackling powerful political and philosophical issues: Marjane Satrapi&#8217;s <em>Persepolis<\/em>\u00a0recounts the horrors faced by an Iranian family during the fall of the Shah, Art Spiegelman&#8217;s <em>Maus<\/em> presents a powerful portrayal of the Holocaust, Gibbons &amp; Moore&#8217;s <em>Watchmen<\/em> tackles the spectre of nuclear holocaust and mankind&#8217;s darkest inner nature. These creators used the integration of text and graphics to gain access to motion picture\u201a powerful storytelling devices of timing, mood, and space, while still retaking a book\u201a qualities of detail, introspection, and review.<\/p>\n<p>Lost Remnants is, at first glance, an exploration of graphic technique: a fusion of digital photography, 3D modeling, image resampling, and computer compositing. But beyond that, it is an experiment in storytelling- can all these whizzbang technologies create a story that is compelling, human. Can they make you think about the world around you, by showing you a world somewhere else?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The graphic novel is an oft-maligned literary art form, a bastard son of prose and drawing. Some graphic novels have shed this stigma and risen to noteworthiness while tackling powerful political and philosophical issues: Marjane Satrapi&#8217;s Persepolis\u00a0recounts the horrors faced [&hellip;] <a class=\"more-link\" href=\"https:\/\/www.lostremnants.com\/?page_id=50\">&darr; Read the rest of this entry&#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-50","page","type-page","status-publish","hentry","uentry","postonpage-1","odd","post-author-jfanjoy"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2Vc3J-O","_links":{"self":[{"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/pages\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50"}],"version-history":[{"count":4,"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/pages\/50\/revisions"}],"predecessor-version":[{"id":88,"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=\/wp\/v2\/pages\/50\/revisions\/88"}],"wp:attachment":[{"href":"https:\/\/www.lostremnants.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}